by Alexander Sanger
Several U.S. states are falling over themselves — and in some cases failing — to ban abortion, abortion clinics and access to the few clinics that remain. This is not a new phenomenon.
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by Alexander Sanger
Several U.S. states are falling over themselves — and in some cases failing — to ban abortion, abortion clinics and access to the few clinics that remain. This is not a new phenomenon.
Continue reading
by Alexander Sanger
The Bloomberg administration in New York recently launched a series of subway ads condemning teen pregnancy by trying to shame teen mothers into delaying childbirth.
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Here is the link to my 20 minute conversation with non-profit guru, Joan Garry, on reproductive rights, the role of non-profits, board-CEO relationships and other things.
Enjoy!
http://www.joangarry.com/podcast-nonprofit-leader-alexander-sanger/
by Alexander Sanger
One hundred years ago, a February day in 1913, two strangers, both fortyish, one in a formal black suit, wearing a black homburg, with carefully manicured nails, the other in a rumpled tweed suit, carrying in his oil-paint-stained hands a wide-brimmed brown fedora, stand alone in Gallery G of the International Exhibition of Modern Art at the 69th Regiment Armory on Lexington Avenue (“The Armory Show”). Gallery G was the English, Irish and German room. A large painting, “The Garden of Love,” that has briefly brought the two men together, is by a Russian living in Munich, Vassily Kandinsky. It is mostly abstract, though some figures are vaguely discernible; it is the only abstract painting in the room — a colorful oil, with a blending of hues like a watercolor — vibrant and seething with energy. Gallery I, two galleries over, which contained, among other revolutionary abstract works, Duchamp’s “Nude Descending the Staircase,” was so crowded with gawkers that a visitor could barely see, much less absorb the revolutionary experience of the artworks. The two men had Gallery G and its one abstract painting, and ten realist ones, to themselves. The two men are my grandfathers. The better-dressed one, Edwin Campbell, a doctor turned businessman, lingers enthralled before the Kandinsky, while the other, William Sanger, an architect and sometime painter, though appreciative of Kandinsky’s painterly technique, moves on to the adjoining work, a non-abstract watercolor, “The Political Meeting,” by the Irish Jack Butler Yeats.
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Two news stories – one about Canada’s rising teen pregnancy rate and one about the falling US teen pregnancy rate, both blaming the same rotten economy, with Canadian observers stating that the dismal economic prospects lead girls to become mothers and US observers opining that lack of economic prospects deters early childbearing. While Canada overall has about half the teen pregnancy rate as the US, the state of Maine and the adjoining Province of New Brunswick have a virtually identical rate.
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by Alexander Sanger
A 40th Anniversary – a cause for celebration. A 40th birthday – a midlife crisis. Roe v. Wade, turning 40 next week, is cause for both.
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From the BBC:
Uruguay has become the second country in Latin America, after communist Cuba, to legalise abortion for all women.
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In 1946 Anne Morrow Lindbergh, poet, essayist, writer, pilot, wife of Charles Lindbergh and mother of five living children (her first child had been kidnapped and killed in 1932), found herself unexpectedly pregnant. The following is an excerpt from her diary entry of January 5, 1947. It is reprinted with the permission of Reeve Lindbergh from her new book, Anne Morrow Lindbergh – Against Wind and Tide: Letters and Journals, 1947-1986.
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In my family, being pro-choice comes naturally. This is not just because the ghost of my grandmother, Margaret Sanger, would rise from her grave to wreak vengeance on any of her relations who dare stray from the path. It is also because the guys have the model of my grandfather, William Sanger, to emulate.
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